One may recall that the Quadrangle symbolising the human being is also one of the two halves described in the Platonic myth of the origin of the female and male. In the paintings addressed to Massimo Meu Amor, the quest of one half for the other, pursued through the labyrinths of her geometric symbolism, attains a lyrical intensity that is as much a state of self discovery, as the pain of the unhealed wound caused by the continued separation from her other half.The silver / golden net on those paintings is a stylisation of words "Massimo Meu Amor".