WHITE PAINTING - TO KARL MARX (2.0.39) 1993, London WHITE PAINTING - TO MY MOTHER (9.0.39) 1993, London WHITE PAINTING - TO MASSIMO MEU AMOR, (24.12.38) 1993, London LETTER OF LOVE OR OF THE NIGHT AND THE DAY - AND TO BRUNO, ALSO MEU AMOR (11.3.39) 1993 London LETTER OF LOVE OR OF THE NIGHT AND THE DAY - TO EMMANUEL KANT (15.3.39) 1993 London LETTER OF LOVE OR OF THE NIGHT AND THE DAY - TO MARC CHAGALL AND M.R. (21.3.39) 1993 London CONSTRUCTION NO. 1 (24.3.39) 1993 London CONSTRUCTION NO. 4 (26.3.39) 1993 London CONSTRUCTION NO. 6 - TO MASSIMO RICCIO, BECAUSE LOVE IS ABOVE ALL CONSTRUCTIONS (29.3.39) 1993 London AXIOM NO. 3 (3.4.39) 1993 London AXIOM NO. 4 - TO MASSIMO RICCIO (4.4.39) 1993 London AXIOM NO. 8 (3.4.39) 1993 London OXYMORON NO. 1 - a) MISSING THE FUTURE (39) 1993 London OXYMORON NO. 1 - o) TO SAINT SAENS WHO KNEW ABOUT INTENSITY AND TO M.R. WHO DOESN'T KNOW ABOUT IT, MAY BE (14.6.39) 1993 London OXYMORON NO. 1 - u) THE UNIVERSE FELL FROM GRACE WITH ME FOR A WHILE ONLY BECAUSE OF YOU. TO MASSIMO RICCIO (15.6.39) 1993 London LULLABY (17.6.39) 1993 London LULLABY (20.6.39) 1993 London LULLABY (39) 1993 London A CODE OF CONDUCT OR THE WHITE BOOK OF PROPORTION "DIVERTIMENTO IN DWM 41" - TO THE EXTRAORDINARIES (29.6.39) 1993 London A CODE OF CONDUCT OR THE WHITE BOOK OF PROPORTION "SUITE NO.8 Suite No. 8 IN DWM 41 - (?.?.39) 1993 London A CODE OF CONDUCT OR THE WHITE BOOK OF PROPORTION "SUITE NO.11 IN DWM 41" - TO THE EXCEPTIONALLY NORMAL (22.7.39) 1993 London MASSIMO MEU AMOR (18.9.39) 1994 London MASSIMO MEU AMOR (15.8.39) 1994 London MASSIMO MEU AMOR (39) 1994 London ETERNAL SPRING - (39) 1994 London ETERNAL SPRING - FOR MASSIMO, MY HALF AND MEU AMOR FULL MOON (27.9.39) 1994 London ETERNAL SPRING - TO CHILDREN, MEUS AMORES (26.9.39) 1994 London SUPERSTRINGS (39) 1994 London SUPERSTRINGS (3.11.39) 1994 London SUPERSTRINGS (3.11.39) 1994 London
120 x 84.5 cm mixed media on paper
120 x 84.5 cm mixed media on paper
120 x 84.5 cm mixed media on paper
SUPERSTRINGS
120 x 84.5 cm mixed media on paper
120 x 84.5 cm mixed media on paper
120 x 84.5 cm mixed media on paper
ETERNAL SPRING
102 x 77 cm mixed media on paper
120 x 84.5 cm mixed media on paper
102 x 77 cm mixed media on paper
MASSIMO MEU AMOR
102 x 77 cm mixed media on paper
102 x 77 cm mixed media on paper
102 x 77 cm mixed media on paper
A CODE OF CONDUCT OR THE WHITE BOOK OF PROPORTION
102 x 77 cm mixed media on paper
102 x 77 cm mixed media on paper
102 x 77 cm mixed media on paper
LULLABY
102 x 77 cm mixed media on paper
102 x 77 cm mixed media on paper
102 x 77 cm mixed media on paper
OXYMORON
102 x 77 cm mixed media on paper
102 x 77 cm mixed media on paper
102 x 77 cm mixed media on paper
AXIOMS
102 x 77 cm mixed media on paper
102 x 77 cm mixed media on paper
102 x 77 cm mixed media on paper
CONSTRUCTIONS
102 x 77 cm mixed media on paper
102 x 77 cm mixed media on paper
 102 x 77 cm mixed media on paper
LETTERS OF LOVE OR OF THE NIGHT AND THE DAY
102 x 77 cm mixed media on paper
102 x 77 cm mixed media on paper
102 x 77 cm mixed media on paper
WHITE PAINTINGS

THE VARIATIONS OF THE QUADRANGLE INTO THE LABYRINTH

Precision  

and  

neatness  

of  

detail,  

indubitably  

enhanced  

by  

the  

experience  

of  

Zen  

Buddhism,

are the main traits of Lilia Pegado’s painting.

She works the form in a constant pursuit of balance and harmony, a harmony that must be

attained outside the idea of duality.

For  

over  

three  

years,  

she  

avoided  

the  

use  

of  

colour  

in  

her  

paintings,  

keeping  

strictly  

to  

the

point  

and  

the  

line  

that  

fill  

in  

the  

space  

of  

her  

canvas.  

The  

series  

entitled  

White  

Paintings  

and

Post White Paintings characterise an artistic cycle and were done from

1993 - 1997

LILIA PEGADO LILIA PEGADO