A germinating world, teeming with life, asserts itself in cellular composition as a bridge or a stage of transition between embryonic forms of life and the complex development of the organism. There is in them an eerie combination that comes from the mysteries of biology, or seen as such, and the division, separation and agglutination which marks life in its primeval forms. Their aesthetic character is stressed in these paintings, as the title Fruition suggests, drawing our attention to aspects of natural life that had remained hitherto unnoticed or neglected as forms of art.